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This
story is everything the Spider's about, Jerry Siegel's writing at its'
most imaginative, the tone at its' most bizarre, the ultimate collision
of British and American comic-book style. This is where the strip really
kicked into overdrive. Really, the idea of a villain muscling in on the
Spider's territory and needing a lesson couldn't run forever, especially
when you consider the Spider rarely seemed to commit that much crime himself,
usually ending up thwarting it by putting potential enemies' noses out
of joint. So here we have the logical progression, the Spider moving over
to crime fighting.
The
opening episodes, as the mob (in the shape of Crime Incorporated) grow
ever more annoyed with the Spider's meddling, are good, straightforward
fun, with plenty of playful arrogance on show from the star. However,
it really hots up when the organisation sets the Exterminator on him.
The Exterminator's a great character, just as confident and able as The
Spider (even if his head laser looks a little bit too much like a mining
lamp...), and the next few instalments are gripping. The Spider is genuinely
on the ropes at points, and yet it works because The Exterminator is shown
to be cunning and powerful - he also understands his enemy, realising
the importance of besting The Spider in front of his army of crime. The
Spider's answer to, for once, being unable to defeat his enemy? To offer
him an alliance. Genius!
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