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The
transformation is rather good, avoiding some of the fiddliness of others
in the line. There are a few optional bits to the robot mode, due to
the stock photos contradicting the instructions, and very few clear
shots of Jolt in the film. I go for putting the feet sideways, which
gives him a little more height. However, the hook for connecting the
back end together makes one foot a few millimetres higher that the other,
though the leg articulation compensates nicely enough. The other bit
are the two long panels from the lower half of the car doors, which
the instructions and stock pictures show hanging loose behind the arms.
This can be made more film accurate (and a little less obvious) by being
folded behind Jolt into an inverted 'V' on the figure's back.
Once
you've fiddled him into a pleasing configuration, Jolt really does have
an excellent robot mode. It's nice and uncluttered (the stock photos
do him a great injustice by making the read windows on his legs look
like an apron, but this really is just a bad angle). The deep blue primary
colour again works well, and while paint applications are sparse, there's
enough to break it up. The articulation is excellent - the (excellently
sculpted) head might be more or less solid, but the arms and legs (thanks
to the dynamic feet) have a good range, and - unusually for the line
- he actually has a waist joint too. His weaponry consists of two electro-whips
that fold out of his arms thanks to a pair or dials inside his wrists,
and they look good, even if they perhaps could have been longer (retractable,
even) and transparent plastic might have worked better. Overall, though,
the mode is a success.
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